14. maio 2014
Finissagem & concerto final - NO LAND
Finissagem & concerto da finissagem - NO LAND
Cinemusica and the Carnaval Trilogy
Rio de Janeiro, 1916—French composer Darius Milhaud, a member of "Le groupe des Six," arrives in Brazil as a cultural attaché for Ambassador Paul Claudel. It was a Sunday of carnival, and Brazilian composer Heitor Villa-Lobos had been asked by the government to show the diversity of Brazilian music to Milhaud.
After several days of traveling through the streets of Rio, they went to the Odeon Cinema where native composer Ernesto Nazareth was playing the piano for the silent films. "After I heard the music of Nazareth, I finally understood the meaning of Brazilian soul," said Milhaud to Villa-Lobos.
Cinemusica and the Carnaval Trilogy revisits this historical encounter, which in a spontaneous way became the foundation for a new and unique physiognomy of Brazilian music.
Saudades do Brazil
Heitor Villa- Lobos
Prole do bebê no 1
Branquinha, a boneca de louça
Moreninha, a boneca de massa
Caboclinha, a boneca de barro
Mulatinha, a boneca de borracha
Negrinha, a boneca de pau
Pobrezinha, a boneca de trapo
Bruxa, a boneca de pano
Tenebroso, Brejeiro, Ameno Resedá, Batuque, Apanhei-te Cavaquinho, Odeon e Fon Fon